It’s probably just a case of too much Berlin (IS there such a thing?), but I’ve become a bit burned out on “binary opposition.” And then I read Kameen’s “Rewording the Rhetoric of Composition.” There they were—more binaries. Kameen lists numerous pairs which, as he says, are “usually conceived as polar opposites rather than dialectical contraries” (4):
I think one strength of Kameen’s argument lies in his attempt to restore “a dialectical relationship among the binary concepts” (4) through the inventive power of language. Kameen invokes Coleridge’s concept of imagination to illustrate “a refreshing and rigorous alternative” (8) to these binaries.
Kameen calls on “a companionable set of dual concepts” (22) from dialectical epistemology: primary and secondary (Freud); complex thinking and conceptual thinking (Vygotsky); and logical and paleological (Arieti). What is most interesting to me is Arieti’s idea of a “tertiary process” that mediates between the two binaries. Arieti explains that “the tertiary process…blends the two worlds of mind and matter, and in many cases, the rational with the irrational. Instead of rejecting the primitive…the creative mind integrates it with normal logical processes in what seems a ‘magic’ synthesis from which the new, the unexpected, the desirable emerge” (22-3). This tertiary process makes synthesis between the two ways of knowing possible, and this, Kameen claims, is most akin to Coleridge’s “imagination.”
Reality is much more nuanced and complex than a choice between two competing binaries. Kameen’s approach was a refreshing respite from the either/or view of most theorists.